If you've been to Stroud and seen a large, talkative woman dressed in purple, it's likely to have been me.
I've always had plenty to say and that's at the core of my work as an artist.
Wrapped up in each piece of work I make, is something I'm passionate about.
Since I was very young I've wanted to make things from fabric and threads. I trained in Textiles at Bath
in the seventies and for a while followed the fashion of the times for hairy weavings in muted colours.
Eventually, in the mid-eighties, I found time to explore embroidery and Colour. It's astonishing to me
that it took me so long as all my textiles work since then has been inspired primarily by the never-ending
possibilities of colour. Since the mid-nineties I have been making wallhangings, influenced equally
by the textiles of the East and the natural world. My fish, birds, lizards and flowers are represented
in rich colour blends by silk-painting, appliqué, machine and hand embroidery, beads, sequins and metallic threads.
Each piece is finished with hanging ceramic pieces or beads or tassels.
Many of my hangings are reproduced as photographic greetings cards. I also make several
ranges of silk-painted cards where I can indulge in a little frivolity and humour,
painting birds with wacky hairstyles and cats and pigs in greens and purples.
Immediately after finishing my textiles training I went on a course at Douglas Phillips' Ridge Pottery
(in Somerset) and discovered an affinity for clay. After some years attending courses during the holidays,
I changed from full-time to part-time teaching, set up a small pottery workshop at home and began
producing tableware, which has been the focus of my pottery work ever since.
When you use one of my pots you are using something made by someone who loves food.
No mug is made without my imagining the taste of tea, coffee or cocoa, no bowl without
the smell of home-made soup, no oven dish without the sight of lasagne or plum crumble
being presented to eager guests. Robust and practical, my pots are designed for everyday
use and decorated in a way which I hope makes them visually pleasing but not overwhelming.
I now work full-time as an artist but use my teaching experience in occasional
workshops where I really enjoy the enthusiasm of the students for the materials and techniques that I love.